"Stars. I won't fall again for your wishes."
23,75K Gold. Collage on linen canvas.

"Stars. Night."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)
"Stars. Day."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)
"Stars. Morning."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)
"Stars. Evening."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)

"Stars. Morning."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)

"Stars. Night."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)

"Stars. Evening."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)

"Stars. Day."
23,75K gold. Collage
24 x 48 inches (61 x 121 cm)
"A Portrait of Me."
23,75K Gold. Oil on linen canvas.
Artists aim to achieve spiritual freedom through the understanding that They have a Primamatter. The journey toward a Primareality requires abandoning the conventional understanding of portraiture. Anna and Valeriia Lyshchenko prioritize pure color to convey deep emotions and spiritual experiences. They use real gold as a manifesto to abolish time and perspective because the light within us was not created by people. Liberation comes from depicting objects in favor of expressing the essence... the idea.
"Just as Democritus, through his theory of atoms, sought to convey his understanding of the world—ideas that became the foundation of atomic theory in physics and were later confirmed by scientific discoveries—so too my sister, Anna Lishchenko, and I use art to express our perception of the world’s creation, humanity, and the interplay between the “higher” and “secondary” realities. Through our work, we hope to draw closer to an authentic reality, with the aim of liberating humanity from a secondary understanding of existence." - Anna and Valeriia Lyshchenko
"Star. A portrait of Me."
23,75K gold. Oil
30 x 40 inches (76 x 102 cm)
"Будьмо."
Oil and oil-based marker. Linen canvas
48 x 69 inches (122 x 175 cm)

"Будьмо".
Oil and oil-based marker. Linen canvas
48 x 69 inches (122 x 175 cm)
"Будьмо" is a work born from the intersection of two colors—blue and black—intuitively chosen to represent contrasting aspects of secondary reality. Black embodies the material consequences of our emotions and thoughts, the empathy we extend through actions, while blue signifies a different realm of existence: a world where empathy does not exist. Blue represents the impersonal, indifferent course of physical phenomena—where there is no space for justice, no answers to questions, and no acknowledgment of suffering. This is the part of secondary reality that erases us, like a cruel God who turns a blind eye to our pain and sorrow, slowly stripping away our humanity.
The title "Будьмо," meaning "Let’s be," is both a call to existence and a symbol of unity, a toast to survival, resilience, and the continuation of life. In this context, it becomes a plea for survival, written in black marker across the canvas. The black, representing the hope of one person fighting to exist, is overshadowed by the indifferent blue oil, which, layer by layer, dissolves the black, diminishing the hope with every stroke.
"Будьмо" is about the struggle of people in the secondary world—against forces that threaten to erase their very existence. The work's five layers, three of blue oil and two of the written word, engage in a dialogue between hope and despair, between those who fight for life and the crushing forces that surround them. It is a conversation that longs for divine intervention, yet only the blue remains, cold and without empathy. Where is God when people suffer and die? Perhaps He is in those who still see and remember them.
"Moons. Two and a half. The star."
23,75K Gold. Collage on linen canvas.

"Moons. Two and a half. The Star."
Part 1
Collage and 23.75K Gold. Linen canvas.
30 x 40 inches (76 x 102 cm)

"Moons. Two and a half. The Star."
Part 2
Collage and 23.75K Gold. Linen canvas.
30 x 40 inches (76 x 102 cm)
"Moons. Two and a half. The Star."
Part 1
Collage and 23.75K Gold. Linen canvas.
30 x 40 inches (76 x 102 cm)
Two parts, consisting of different canvases (an intentionally chosen technique), depict the evolution of a person as a cold object looking at the Moon, appearing so small compared to the darkness of the sky in the "Secundareality." In the work's second part, the same person looks at the same Moon, but through an understanding of the "Primareality." The viewer can see how their soul, like light, encompasses space and time. In this work, the "Secundareality" (the physical, material world) exists alongside the "Primaryreality", and through understanding the existence of both worlds, a person can find freedom of mind.
The "Primaryreality" presents a vision of the soul as something akin to the Sun itself, which has existed so long that the time of the "Secondary" (the body, everyday reality) dissolves the boundaries of past, present, and future relative to the soul, freeing the person from the pressure of time.

"The Pressure of Love."
23,75K Gold. Oil on linen canvas.
Black represents the physical consequences, the material expression of our feelings and thoughts through our actions. Black as the color of empathy.
Gold as a part of me that is greater than the secondary world. A part that feels love. Like a smaller star orbiting a greater one, I feel the pressure... is this love?